Saturday, August 30, 2008

Building Respect Into Trust


No easy task, there. This usually happens gradually over many chapters. Two steps forward. One step back. There are any number of reasons for characters to show or give respect.

But in order to show the evolution of respect, you have to first establish the absense of respect.

This is fairly easy to do when you have a first meet in a novel. The characters don't really know each other. They have little or no reason to offer kudos on anything. That's why it's important to draw them in to a situation which requires action in practice or in theory.

Find a scene which requires your characters to work together at a task. Not just any task but something which will show how they differ in opinions or morality. They must each have a stake or personal belief which comes in to question.

Maybe it's something as simple as washing the dog, who knows?

Let's say the dog is dirty and shaggy with maybe a few mats. Whatever. The point is, the hero believes the dog's mats have to be cut off before the dog can be washed. The heroine believes exactly the opposite; clean the dog then cut the mats.

Sounds simple? Then we have to do better! grin

Let's say the hero is a dog bounty hunter. He sees the dog as a pay day. He doesn't believe every dog has to be rescued(unlike the herione). He's simply here to do a job and shaving the mats will answer the question of whether or not he's found the right dog. Washing is optional.

The heroine is a vet who believes, whether the dog is worth a little or a lot, it deserves to be shaved, cleaned and fed, along with a safe place to sleep. She tells our hero why his attitude is wrong, inspiring the hero's guilt at his own callousness. (*Self-analyzation makes him open to change. She mirrors his former self-the one who cared about the dogs he found.)

While the heroine truly believes everything she's espousing, she hears what the hero says about focusing on the bottom line. This causes her own inner-analyzation and sparks her own begrudging respect of his good business sense. (*An area which she knows she's lacking). If she'd spent a little more time finding paying customers she wouldn't be in danger of losing her business.

Her Dog Rescue operation is operating on a shoestring and she's behind on the building's rent. Shaving the mats will get her a little of what she needs but convincing the bounty hunter to pay for a bath, shave, food and a night's stay will get her a lot closer. She agrees to do it his way but charges him an outrageous fee.

The hero realizes she's taken his advice about her financial situation. (She's given him a meager portion of respect.) Because of this turnaround, he allows her to part him from his money and springs for the works. He respects her because she's operating a worthy cause and she's willing to listen and implement his ideas.

Now that they respect each other (to a degree) each is more willing to trust the other with deeper opinions and emotions. But to do that, you have to find a way to keep the hero and herione together for an extended period.


That's Part 2. Stay tuned!

Wednesday, August 27, 2008

Twists & Turns: Part 2


Another thing about twists and turns is that you can't see what's coming. And let's face it; who wants to see every knook and cranny before the last chapter? Not me.

This is a great place to build in red herrings in each of the plot lines so the reader thinks they know what will happen next. Something which gives them a little smugness yet completely delivers a "gotcha" on the back end.

This can be something as small as a pay off for the hero or heroine followed by the rug being pulled out from under them. The only rule I follow here is to never, ever, allow my character to get comfortable in a scene.

Today, I wrote about my heroine's need to control her emotions in order to acheive her goal of following the serial killer's trail. She's fairly certain she's convinced the DA she's innocent and he's ready to release her to go about her business. Which is exactly what happens. Sort of.

The condition of her release is that she has to take a partner. Yes, the reader knows instinctively the DA is going to insist the hero (the one who we know betrayed her by telling her secrets) be her partner. And while she's good at hiding her emotions from the DA, her ex-lover presents more of a problem. Now, she has to make a choice; take a partner or sit out the investigation in a cell.

Her head understands that sitting out the investigation would send a message to the killer that the police have who they believe is the killer; he's safe. Now she has a personal stake in finding the bad guy (can't tell you what it is). If the killer isn't caught, the DA has enough circumstantial evidence to indict her for the murders. A partner is a real problem for a woman who doesn't trust anyone but herself(for obvious reasons). There is a part of her that wants to prove herself. Should she go with her head and play it safe or lead with her heart and accept the consequences, whatever they may be?

No matter what she chooses, she's forced to reveal a part of herself to the man who betrayed her. (Can't say what that is but it's a biggee and propels the hero into his own mini-crisis).

Happy Writing :)

Monday, August 25, 2008

Twists and Turns aka Turning Points


I'm working on Witness FTD at the end of Chapter 3. This is where the hero and heroine must decide they need each other and pledge to put aside their differences to work together to find the killer.

It's a tough spot, otherwise known as the first major turning point. Finding the correct balance is essential.

Turning points are important in the story. If done correctly, they serve to propel the plot and ratchet up the tension between the main characters. More importantly, they force the reader to make a choice: read on or put the book aside for something more riveting.

How do I do that? Carefully.

First, decide what's at stake. I like to plot on levels. Level 1 is the romance (for obvious reasons). Level 2 is the internal plot (or character--what each of the main players bring to the story). Level 3 is the external plot (what happens and why).

Without going in to a lot of detail, (Because hey, I want you to read the book when it's finished) it's important to braid these three factors together in every scene. One cannot stand without the others. Or, they shouldn't. You'll know why if you've ever read a book that didn't engage your senses.

Start with the romance. These two characters have a history. They loved and trusted each other. But he betrayed her. It cost her a life long dream of becoming a cop. He didn't come away unscathed. His betrayal cost him a piece of himself. It changed his life and now, he thinks, he's found a way to justify it and live with the consequences. (We all lie to ourselves, right? And that's one of my underlying themes for this character. He has to get honest about what really matters.)

Okay, so on to braiding the plots, as I like to call it.

The Romance:

Love is a twisted path. I like to follow these three simple emotional rules: respect +trust= love.

Building respect between my two main characters is the first step on their emotional journey. They each have to make a choice at this turning point in order to be able to work together. There are several ways to do that. Sometimes it involves a head-on confrontation between the characters, which always involves a ratcheting of the sexual tension. Other times, I'll allow a secondary character to reveal a deeper depth to the hero or herione to provoke a thoughtful retrospective. But always, the outcome is a begrudging respect the hero or herione offer one another. It's an olive branch to further their own internal/external goal. The goal is what's at stake. Make it important.

I won't tell you how I do that. You'll just have to read the book :)

Next Blog: Building Respect into Trust

Sunday, August 24, 2008

More Kudos for Here Comes the Bribe

My romcom is a featured Best Seller on the front page of Fictionwise!!

Click on the link below to see my author page :) It's crazy! The good kind.

Fictionwise.com

Sunday, August 17, 2008

Music as Inspiration for Characters


I'm working on WFTD today, framing my hero and forming his character ticks and dialogue. I like to choose specific music to listen to while I'm in a particular character's head. Sometimes, I'll even choose a particular song to emphasize the tone and mood of a particular scene.

Today, I'm writing in my hero's head. Trace Rios is a quiet guy for the most part. Intelligent and cautious, he excels at his investigative career because he's learned to detach his emotions in order to see the bigger picture. He's learned to connect the invisible dots of a case and solve it. Unfortunately, it's also made him a little too judgemental and a lot cynical about people in general. He keeps his emotions buried below the surface.

But my herione, Kris represents a bridge to his past wrongs. Okay, so long story short, I think I've finally found the right song to personify the hero and herione's love story!!

I'm listening to Crossfade's song Cold. It's the perfect song about regrets and things left unsaid. How he never got it right. Too wrapped up in things that never really meant anything. He never meant to be so "Cold".

Okay, your turn. What do you do to help define your characters?

Saturday, August 16, 2008

Another great reveiw!!!

The Romance Studio

Ms. Sherry A. Davis has done a good job of presenting a plot with a twist which involved several characters who seemed to each add depth to the storyline. She showed the independence of Cole and Andi, but she also demonstrated their vulnerability. She developed their relationship amid circumstances which involved a range of emotions. I shed tears. I laughed. The sexual connotations were well written but not offensive to anyone.

I thoroughly enjoyed this great story and believe anyone would. Great job, Ms. Davis.

Overall rating: (FIVE HEARTS)
Sensuality rating: Very sensual

Reviewer: Brenda Talley
August 11, 2008


Thank you, Ms. Brenda Talley for a great review :)


Off to write!

Friday, August 15, 2008

The New WIP



Okay, I loved the hamsters on the hula hoop but it's time for a change and an update. I'm working on my new WIP, working title Witness for the Damned.

It's a 60k(I hope)romantic suspense targeted to Harlequin Intrigue. I know, I know. I said I wouldn't submit anything else to them until they came looking for me. Yeah, well.

It's a really cool book, my herione is a PI accused of three serial killings in Historic Fort Worth. The only one who believes she didn't do it is the hero, her ex-lover. He's an ex-FBI agent, now Tarrant County Sheriff, who puts his job on the line to protect her and help her find the real killer.

So, it's back to work for me on the thing I love to do best: Writing!

Happy Writing, Friends :)